We scored our front-row, center tickets from a Ticketmaster booth next to Anaheim Stadium for a mere $80.00. Sure, it ate into our Asteroids and Defender budgets, but it was way worth it for such awesome seats, dude.
We rolled in, red stars prominently displayed, found our seats and were soon embracing a bra-less hottie (er, "fox," to use era-correct parlance) with her own homemade T-shirt sporting the words, "Neil Peart: Achiving Balance." We didn't really care that she couldn't spell "achieving" and were disappointed when ticket-checkers discovered she may have simply been jiggling and hugging her way to the front row with no more authorization than her breasts could muster. In our book, that was pretty substantial authorization. My friend and I both agreed she deserved to stay a little longer for her efforts.
After Geddy, Alex, and Neil played for us, I felt complete. I couldn't aural direction-find for a week; my deafness was a battle-scar: "Sorry man, I can't hear you very well, I had front-row seats to RUSH in LA last WEEKEND. FRONT-ROW."
Yes indeed, chicks dig eardrum scars.
Sadly, I only went to one other Rush concert after that: Wembley Arena, London, 1982, lame seats, no pre-show breasts, no 7-day aural disorientation. Since then, I've wanted to see Rush in concert and I missed their last gig when they came through town. In fact, I purposely missed it because I was a weak, tired, middle-aged old dude.
Lame, lame, lame.
Now I find that the mightiest epic-rock-power-trio ever to grace a Dungeons and Dragons gaming session is rolling back through town on their Snakes and Arrows tour. I know, as sure as my 8:30 PM bedtime, that I need to see Geddy's hipster goatee up close, count the hairs and wonder if "Just for Men" gets his business. I need to (carefully) bang my head and play unabashed air guitar/drums/bass to whatever the hell the boys want to play. I need to wail along with Geddy, "Earthshine/a beacon in the night/I can raise my eyes to Earthshine" and watch Neil hammer tight and clean through another set.
Bring me up front, Tickemaster, plant my ears in the 4KHz killzone.
Sure, for $740.00.
What! Is that the inflation-adjusted 80 bucks of my youth?
Adjusted for inflation, my 1979 tickets would run me $156. 80 today. Not too bad, I could probaby get the wife drunk and convince her that spending $627.00 for the whole family to get their eardrums pasted was a good deal. As long as I didn't mention bra-less, half-educated hotties willing to snuggle for a seat I'd probably be golden.
So what's going on here? If we leave out the fact that I now automatically count admission to anything that costs money in sets of four and look for "family pack" discounts, something seems terribly wrong. Is there some sort of conspiracy to jack up the price so aging guys can't live out their rather hum-drum rock and roll fantasies? I don't think so. I think it's simply supply and demand, ram 'em when you can capitalism. I suppose I shouldn't complain, The Police are coming and ear-bleed tickets for their gig in my town are running $3,750.
It looks like I'll have to buy cheap seats, pull on something sexy, and work my way to the front.